160GSM Ivory Linen – Paper Story
When I first started cutting I used 160gsm paper, I thought that it would be easier. The last time I tried to cut Rosie on 160 I gave up because it had become hard work to get through the thickness of the paper. I had also thought 160 was not the best option for small details. Thinner linen papers I have tried have felt horrible to cut and barely had any texture to them, this one does have a gorgeous texture.
Printing it will hold even pure black without showing through, light colours are easily visible though so save the ink and print light. Being a thicker paper it had no difficulties going through the printer so no worries there if you have a printer that doesn’t like heavier weight paper.
No sheen so just like drawing on normal drawing paper for pencil choice. Don’t go too hard though or you could end up adding more texture to the page.
For a heavy weight paper it doesn’t “feel” as thick as some of the others I have tried. Cutting the detail was more difficult than lighter weight paper, but it was workable, the larger sections in the tail though were lovely to cut and I barely noticed at that point that it was a thicker paper.
The texture doesn’t get in the way at all, so no worries with snagging on the curves but take your time with large curves to make sure you get it right with the extra pressure involved.
Somewhere I did slice through a line while cutting, it took me a while of poking to figure out where it was so the paper is very forgiving on slight mishaps making it good for newer cutters.
Blades, when working on detail blade use is going to be high but on larger areas it’s surprisingly good on blade usage quite unlike what you would expect for this weight of paper.
£1.95 for 10 sheets so works out as around 19p/sheet.
Once you turn it over any small areas you may have had issues with become very worth it. If you are doing wedding invite cuts use this paper. Anything that suits texture will look fantastic on this. Paper story themselves recommend it for typographical cuts and I can see why. If you are working on lots of details this probably isn’t the best choice but for the finish it can be worth persevering with the challenge just to have the amazing texture.
You can buy this paper on Paper Story’s website here.
110GSM White – Paper Story
Another from Paper Story. I normally cut on 100gsm so this is the closest to what I am used to. The paper is flat with a pearlescent sheen to it and is also available in ivory.
When printing very light grey is best, no trouble seeing even the lightest colours, of course you can go a little darker if you are printing flat but for floating go as light as you can see.
As like other pearlescent papers, don’t go to soft with your pencil choice or it will smudge though this will take up to a 4B before going smudgy. 2H max if you prefer harder pencils.
Very easy going on the details and larger areas. It handles curves beautifully and glides over the mat as you move the paper around. Very few fluffy bits, even if you go for too long with a blade but you will see a difference.
Blade use is good, totally what you would expect from this weight of paper. 15-20 minutes.
10 sheets for £1
A lovely light weight paper. Due to the weight probably not one for new cutters as if you do go a little further into a corner on a cut it will be visible. Highly recommended to those that prefer lighter papers. It has a good structure if you are more used to heavier weights though so don’t let that put you off.
You can buy this paper here
120GSM Bersan – Paper Story
This paper feels lovely, Available in White or Cream. Paper Story teamed up with PayperBox to offer this paper and it’s worth noting that the Bersan is a range of charitable products which Payper Box donate 5% of their sales to cancer charities.
I think this paper would be perfect for wedding cuts, there is an opalescent shine to it rather than being “in your face” shiny.
Printing in pure black will result in some of the ink showing through even when flat, medium greys are fine if you are flat mounting but go light if you plan to float.
HB or at the softest 2B, anything softer is likely to smudge harder and you will have the drawing showing through.
When cutting it does feel heavier than it is, I would say it feels more like 140gsm to the blade though to the touch it is clearly 120gsm. It does mean that it isn’t as good at handling small detail as you would expect but it does still perform well if you plan which section to cut first properly.
The layers in this paper can separate if you are not careful, check you have cut all the way through, though it is easy to see where you have cut. Because of this the paper can be prone to the occasional fluffy bit, they are easy to remove though with a fresh blade.
As an advantage though once the details are cut and the paper removed everything still holds well.
Reasonable blade usage, especially considering it feels thicker to the blade. 20-25 minutes on regular cutting but 15 on the details because I was changing just before the drag to avoid the paper fluffing. I may have been able to have got slightly longer though.
10 Sheets are £1.50 making it 15p per sheet. Reasonably priced for the finish and remember some of that cost also goes to charity so even more worth it.
On the flip, it’s worth it. A clean finish on a beautiful looking paper.
I wouldn’t recommend this paper to a new cutter, because of how the paper can behave if you don’t change the blade at the right time. Though for those with more experience at knowing when you feel the drag you can easily handle the paper. If you’re after a paper that behaves like a heavy weight but less work and easier on the blade usage then this is what you should be using.
Buy the paper here.
130GSM Pearlescent – Paper Story
This paper is from paper story. Mid-weight for paper cutting so ideal for beginners This paper is double sided (other than the latte, which is single sided) and comes in all sorts of gorgeous colours, The golds and silvers are divine and for some reason I adore the tropical orange (not a colour that would usually take my fancy.
I selected the Bearly Pink for the test.
Since I am used to printing on white or single sided paper my template lines are quite light to prevent them showing through. While I can still see the template printing slightly darker would have been an advantage (necessary on some of the darker colours.) Pure black doesn’t show through to the opposite side if it is flat, but if you plan to float don’t print too dark.
If you draw your templates don’t go for a soft pencil HB to 2H is ideal for drawing on this type of paper, white pencil for the darker shades.
When I first started cutting I did wonder if I was going to like this paper, only because I am used to a lower gsm. Once I had got a little more into it I began to just enjoy the greater control and structure of a higher weight.
Fluffy bits, barely any with this paper, you can see where you have cut easily so you know where the danger zones are. If by any chance a fluffy bit does appear they come away easily with a fresh blade and are even removable with a slightly used one.
This surprised me blade usage was quite low, I got closer to half an hour out of a single blade working on the detail, 40 minutes on larger areas (which is why you can see more cut in this photo.)
A pack of 10 sheets in a single colour is just £1.50 so at just 15p/sheet it’s a good price for an excellent paper. Or if you like to buy in bulk there is an option for 100 sheets at 12p/sheet where you can request the colours you would like.
Over all, a brilliant all round paper it looks lovely once it is flipped over and because it is double sided there are no white bits. However that is also the only disadvantage as the darker colours are harder to work with if you print a template rather than draw.
Here is the link to the white, the colours are all listed separately.