The pencils that I primarily use are Derwent Inktense, these pencils can be used dry just like regular colouring pencils you can also use water and a brush after putting the colour down to bring out the really vibrant ink tones. The colour is also fixed with water, making them permanent and can then be worked over further or even used on a variety of surfaces.
Pencils work best if you don’t apply too much pressure and build up layers of colour.
The four colours I used on this piece were;
Starting with field green I apply a light layer to both blades of grass following the direction of the line art. I then applied a second layer to the blade of grass that is further in the background, this gives the impression that there is light and dark areas to the piece but keeping all the areas of colour as flat colour.
Next using leaf green I follow the line of the stem and the leaf, while the stem is mostly straight the leaf has a definite curve to it, following the natural shape of an area will give even flat colour a defined shape.
For the centre of the flower a simple yellow, as this is naturally quite a light colour I used three layers of colour to intensify it, colouring in a circle to follow the shape.
The main petals of the flower are all done in thistle, because of how I am used to colouring with promarkers I still work in logical sections, firstly the petals at the front. For these I used just one layer of colour and kept the strokes of the pencil linear to follow the crease line in the centre of the flower.
Onto the petals at the back and I used the same principle as I did with the grass blades, two layers of colour here make the rearmost petals darker and appear in shadow while still having an even colour within the area.
While you could say at this point the colouring was complete because of my light application of colour the tooth of the paper has left a texture to the colouring making the tone appear lighter that it should be or look incomplete.
Rather than add extra layers, which could end up more time consuming, or use more pressure to begin with I finish all my pencil work either with a blender pencil or water. This smooths out the colour and provides an even finish.
Finishing with a Blender Pencil
The blender pencil is incredibly easy to use. Colour each area of the picture with the blender pencil as you did with the coloured pencil, between each colour make sure to wipe off any pigment that remains on the blender pencil on a black sheet of paper or it will transfer into the next colour. If areas remain where there are gaps in the colour lightly go over with the blender pencil again but colouring in a circular motion. It can leave you with a wax bloom but it will just blow off. I always blow this away as if you sweep it off with your hand it can add pressure to it which will cause smudges.
Finishing with Water
You don’t need a lot of water, just a damp brush is enough to work areas in colouring books, with your brush lightly go over the area you have coloured, the pigment will go ink like and give an even coverage. As you work across an area the pigment will gather in your brush and leave a slightly darker area where you finish so when I work with water I make sure I finish the brush strokes at the base of an area, or in a place where shadow might happen.
Both methods give a different appearance to the finish. More layers of base colour leave a more vibrant colour after finishing.
The methods of colouring can be applied to any coloured pencil, though not all work with water and it is normal that with other water colour pencils the final colour is not as vibrant as with the inktense.