Colouring Therapy Art Book

With no other editions this colouring magazine from Magbook is a bit different from the other magazines. Magbook release individual bookazines on popular topics. This one is also available on Amazon. Priced at £5.99 it’s a little more expensive than I thought it would be, compared to other magazines on the market.

There are 56 Images to colour in this double sided print edition, the publication is split into 5 “chapters” Animal Kingdom, Patterns, Spiritual, Nature and Art Inspired though there are only 3 images in the art inspired chapter and the nature chapter is mostly things that could have easily gone into other sections the splits seem kind of redundant.

At the start of each chapter 3/4 of a page is taken up by a single paragraph of text and the final 1/4 has part of the double spread image, it seems that most of the images would have been fine on just a single page, some of the actual double page spreads are like this too, only taking up half of each page but split across a double.

The artwork is a bit of a mix, there are a few highly detailed images but a lot are really thick lines so not great for more advanced colourists, the paper is also quite thin you can see the print from the image on the other side on practically all the pages.

Onto Colouring

Knowing there wasn’t any chance of using alcohol markers as it was double sided I tested my stabilo 68’s on the tiny image from the front page. Even though I am light handed with my colouring the colour is obvious on the opposite side of the page.

Even gel pens where the ink doesn’t soak into the paper, so don’t bleed, showed through on the opposite side.  So I switched to coloured pencils, which are about the only media you can really use on this paper but you can tell on the opposite side areas that have been filled with pencil, especially darker colours, even though you don’t see the colours coming through.

In Conclusion

I would say this one isn’t particularly worth the money. While there are a variety of designs that would be good for anyone that wasn’t sure what style they like to colour the thin pages really let this down because you will see the design on the reverse side.

All right if you only want to use pencil and want the variety of designs this publication has to offer, but it is not one I would recommend.

colouring therapy by magbook

chapter start in colouring therapy

colouring in colour therapy

 

Creative Colour

A colouring magazine from puzzler.com. I didn’t get this one when it first came out but I did snap it up before the release of issue 2 at the end of May. Now we are at the end of June and issue 3 is in the shops.

I left this one untouched for quite a while but one evening as the boys were watching the Avengers I sat myself in the corner under the floor lamp and decided it was time to make a start.

This is another single side print magazine with 24 images to colour and staple bound. Paper quality seems good and the artwork is a mix of single images, full page patterns and contained images, ranging from fine detail to larger areas making it good for any level of colourist. The cover price is 2.99 and is published monthly.

Onto Colouring

I’m back with my Stabilo pen 68’s and the paper is all right, the colour goes on reasonably smoothly although it does show through on the other side it is single sided so that isn’t a problem.

The first one I completed was the bird, it was my favourite image in the whole magazine. I used a combination of flat colour and a bit of shading. As well as the pen 68’s I also used some of my point 88’s to work on the more detailed areas. It was a really enjoyable image to colour though.

I also had a go on the inside cover with the stabilo pens, the little flower was a great, quick to colour piece. After colouring that though which is a smoother card rather than the paper I was wishing the whole book was printed on that.

I also had a go at a page with my inktense pencils, I did this one using a blender pencil to smooth the colour rather than using water. This came out beautifully I certainly got better coverage with the pencils than the pens.

With Promarkers the coverage can be slightly patchy as the ink dries quickly on the paper, though as I got more used to how the ink was behaving on the paper reducing the size of the circles I coloured in allowed me to get a more even colour.

In Conclusion

A reasonable magazine, the range contained in it does make it suitable for anyone though I haven’t bought issue 2 or the recently released issue 3. With such a large selection of magazines available now and considering my collection already I did find a lot of the images to be rather similar and I personally preferred the selection in the later issues of relax with art.

If you are a new colourist though take a look at this magazine along side the others because you might find the artwork more to your tastes and without having earlier magazines there won’t be similarities like I experienced. You can also use any media to colour but make sure you add a sheet of card under the page you are colouring if you intend to use pens and keep your strokes shorter than normal to reduce patchy coverage.

 

wpid-wp-1435310736455.jpeg
 

wpid-wp-1435310599593.jpeg
 

 

Colouring with Stabilo’s – Shading

Once you are ready to embark on shading the Stabilo 68’s and 88’s are probably one of the simplest to learn with, there is no blending with these so don’t expect smooth transitions every time, some colours do work better than others but you will always have a darker shaded area which allows you to add that extra level of depth to your colouring.

If you haven’t read it yet I suggest reading the flat colour guide to see how I work with these pens.

Onto Colouring

Greys can be your best friend with shading, because they will work with any colour. Don’t reach for the grey that is a darker tone to the main colour though as it will end up appearing too dark. Choose a grey that is a shade lighter than you think you need. With colours though you will be using one shade darker.

When it comes to shading I do a lot of the work with the finer point 88 pens as it is easier to graduate the colour by fanning out the lines drawn the closer I get to the light source. It is achievable with the pen 68 but you will get a denser colour.

These are the colours I am working with:

  • Light green 68/33 or 88/33
  • Green 68/36 or 88/36
  • Yellow 68/44 or 88/44
  • Orange 68/54 or 88/54
  • Lilac 68/58 or 88/58
  • Purple 68/55 or 88/55
    and
  • Grey 68/96 or 88/96

I am starting with the grass again, I will be colouring this in exactly the same main colours as I did for the flat colour guide. Decide where you want shade to appear. For the grass I have opted for light shading on the blade that appears to be behind in the image and have added a “centre line” in the front blade to show the “fold” you see in grass.

You can then go over the grey with the main colour. If the paper saturates easily or is prone to loosing fibres wait until the grey has dried.

Again with the grey I have added shade to the top of the stem quite heavily as the shadow cast by the flower would be denser there. A little shading between the grass and shading that fans out on the leaf working from the stem.

Go over all the shading with the main colour (in this case light green) I realised at this point that the grey was perhaps to dark for the light green but hopefully it shows you what I mean about going a shade lighter than you think you need with greys. As the grey I am using was the lightest I had at the time it was all I could work with though there is a grey one step lighter in the range.

Next I add a little orange alongside one edge of the centre of the flower.

Colour over that with yellow. I didn’t wait for it to dry here and as you can see a little blending has occurred with this combination though it is not something I would rely on happening.

Next I use the purple and add some quick lines into one of the petals at the front of the flower, this will keep the shading fairly light as I don’t want it too dark and the lines created by the point 88 are perfect for this. Follow the lines within the drawing as if you were just adding a few more.

Do the same on the other three front petals.

Once the shading has been added and dried using the lilac in the pen 68 colour all of the front petals. I have found the combination of purple and lilac to work rather well.

You can then start on the back petals.

With the purple again but this time filling the area you want shaded (the point where it meets the front petals) with a denser bit of colouring, for this you can either use the point 88 or pen 68, though I continued to use the point 88 and used obvious lines that were just a lot closer together.

I then coloured the petal I had shaded.

Continue to add the shading on the remaining three petals.

Then,  when dry, go back to the lilac and colour the other back petals.

Finished you will have an image, with the extra depth shading provides. I use this technique in my animal kingdom book as well as on some free printables.

Experiment with different colours to find which ones work best together or give the effect you are after. Some combinations will appear seamless while others will be noticeably darker, some of course won’t work, even if you think they should.

Let me know how you get on shading with your Stabilo’s or other fineliners/fibre tips in the comments below, or show me your coloured images here, on facebook, @scarletleonard on twitter or @scarletimpressions on instagram.

Happy colouring!

wpid-wp-1433340801924.jpeg
wpid-wp-1433340840228.jpeg
wpid-wp-1433341060794.jpeg

Colouring with Stabilo’s – Flat Colour

Stabilo pen 68 and 88 are a great mid range set of pens. The 68’s are described as a colour-intensive, premium fibre-tip pen there are 40 colours and 6 fluorescents, giving a great range of colour. The 88’s are a 0.4mm fineliner and boasts a range of 25 colours plus 5 fluorescents. The colours match up to so if you have the same colour in both pens they are the same colour on the paper making them brilliant for when you need to get into fine detail areas as well as larger area coverage.

Onto Colouring

wpid-wp-1431694616220.jpegGoing over the same area multiple will cause over saturation of the paper. I keep my way of working to sections but I use light stroke lines rather than circular colouring to prevent saturating the paper.

I have chosen 4 colours for the piece;

  • Light green 68/33 or 88/33
  • Green 68/36 or 88/36
  • Orange 68/54 or 88/54
    and
  • Lilac 68/58 or 88/58

As there are no really small detail in this image I haven’t used the pen 88 fineliners and just worked with the fibre tip pen 68.

Fast downward strokes fill in the grass with green.

The centre of the flower is filled with orange simply by following the line of the circle then using smaller circles towards the centre.

The stem and leaf are filled with light green by going down the full length of the stem then the edge of the leaf before using lines to fill the remaining area inside the leaf I follow the shape of the leaf as I do the fill lines.

Finally each of the petals are coloured using the same method as for the leaf.

wpid-wp-1431694651568.jpegI don’t get bleed with these pens following this method though you will sometimes see a ghost of the image on the reverse side of the paper, while it is visible it isn’t invasive, in a double sided print book once the opposite side was coloured it wouldn’t be noticeable at all.
However if you go over the same area to much and saturate the paper there will be bleed through, you can avoid this by allowing the ink already on the paper to fully dry before adding more (like when you notice a small area that didn’t get colour.)

There is more ink flowing to the paper from the pen 68’s the pen 88’s are less likely to show through but this depends on the area you are colouring as if you choose to do a larger area with the fineliner nib you risk overlapping colour more.

The good news is other than bleed through overlapping colour while wet or dry doesn’t result in variation of colour. This is great for really large areas as you can stop and resume colouring later without having to worry about the ink drying.

Using a textured paper with these pens can result in patchy colouring and of course absorbent papers will certainly end up bleeding through. As always make sure you select a decent quality paper. This piece was coloured on 135gsm smooth sketch book paper and works well with these pens.

Relax with Art

Relax with Art MagazineWhen I saw this one appear in the shops I grabbed a copy as colouring magazines have been selling out as quickly as they are coming in the shops. Relax with Art is published by Bromleigh House (who publish puzzle magazines) though there is next to no information on it around the internet. I did manage to find through newsstand that it is a monthly magazine and it has a cover price of £2.99.

There are 24 pages in the publication, more than enough for the month and the artwork is a mixture of designs so you aren’t tied to a theme. The magazine is stapled too so it opens up really easily and it is all single side printing. The inside cover has an intro, though to be honest reading it, it didn’t seem that well written. But it didn’t really matter as it is a colouring book after all.

Onto Colouring

colouring page relax with artI decided to give my Stabilo Pen 68’s a test in this one using a new type of pen I first thought that the pens were a bit dry but then I noticed that the paper is textured. The paper started to crinkle slightly with the colour. To satisfy my curiosity on the paper I did one part of the picture with my promarkers as I knew what I could expect from them. They spread on the paper quite quickly. As I wasn’t blending on this page it was completed quite quickly.

All the pens bled through to the other side but the thickness of the paper did prevent any colour from going through to the spare sheet under the page.

relax with art coloured pageYou can see some of the streaks in the colouring, I did test other papers and got a smoother finish from the pens. The pink is promarker and while the colour is smooth (due to it keeping the colour wet for a fair while) the spread makes it difficult to colour especially finer detail, which this book has a fair bit of, even with a fine point attachment.

While you could say that the promakers staying wet for so long would be an advantage to blending I wouldn’t like to know how much that would crinkle the paper when a basic water based pen did. Layering on the colour needed for a blend would probably get quite messy.

Overall

This is a book for pencils, possibly gel pens, while I love the art work it’s a little disappointing the paper lets this down and that pens (my preferred media) don’t look that great in it. The lack of information suggests this publication was rushed to print to get into the market quickly. I’ll be continuing the rest of the issue with pencils though and I will take a look at issue two when it is released to see if anything has been re-evaluated by the publisher.

Edit – 14/05/15 Today I went back to this magazine as there was a design I really liked. Instead of just getting out the pencils I tried my Stabilo pens again as they were out from the previous page I had just finished in another magazine.

I was surprised that it was a lot easier to colour this time round, there was less ink spread and I didn’t get that far before I had unclipped it from my drawing board and then spent quite a while looking at the page I had just started compared to the one I did the other day, it seemed the paper was different.

What I concluded after some inspection (honestly if anyone was watching me through the window today they must have thought I was a little strange stroking the paper on all the pages, holding it to the light and giving it a really good look over.) was just the one sheet, that happened to be the first and last images and the two I chose to try to colour first, had been printed on the “wrong” side.

So now I’m off to finish this new page with my beloved pens. Happy that everything should be fine now.

Issue two is due for release 28th May.

Edit – 29/05/15 Relax with Art now have a facebook page and a website where you can subscribe.
You can order relax with art through Unique Magazines either by subscribing or buying single issues.

How have you found colouring this magazine, any success stories or issues with pens to share?

Colouring with Promarkers – Flat Colour

wpid-wp-1430228815296.jpegBefore we look at blending it’s best to look at flat colour.

Promarkers are a great pen for flat colour because you can layer the colour to give slightly darker tones. This allows you to go back to areas you do want darker if you feel extra depth is needed without the complication of blending. Of course flat colour is easily achievable with any pen.

Onto Colouring

When you colour with promarkers you have to remember that if you do go over the same area twice you will have lines of darker colour. This doesn’t happen though while the ink is still wet so because of this we break down the image to minimise getting unwanted lines. Look at the different sections in this tutorial image we have two blades of grass, the stem, the leaf, the centre of the flower four petals at the front and four petals at the back. Each of these will be coloured separately.

I will be using four colours;

wpid-wp-1430228824544.jpegWhen colouring follow the line of the drawing, this way your strokes follow the natural line of the section you are colouring, you will get the most coverage in a single stroke and the paper won’t get as wet which will minimise any bleeding. To fill in larger areas circular colouring motions will minimise colour overlay with promarkers. Also by following the shape of the section if you do experience any colour overlay it will be in the right direction and not look out of place. (something you can use to your advantage in certain colourings.)

To begin with I will start with using the leaf green a couple of downward strokes starting from the tip of the blades of grass is enough to fill this small area.

With grass a single stroke going down the stem, then work around the edges and the line down the centre of the leaf, this then leaves a couple of small gaps which because of the size of this image are able to be filled with quick strokes. If they had been larger I would have used a circular motion.

Using sunflower colouring in a circle is the best way to fill the centre of the flower. As it is round this goes around the edge and fills the centre, if there are any gaps just dot the pen into them.

With the purple do each petal individually, working in the same way as you did the leaf. (The outer edges, up the centre, fill the gaps.) I start with the front most petals before working on the petals at the back.

wpid-wp-1430228859626.jpegOnce you have filled all the petals you could leave it there, though for extra depth once the ink has dried you can go back to areas that would be in shadow and re-colour them.

The right blade of grass has had a second layer of leaf green and also the four petals towards the back have had a second layer of purple.

Alcohol markers, no matter what the brand do bleed they will pretty much always show up on the opposite side of the paper. Don’t use them in two sided print colouring books unless you are willing to sacrifice the image on the other side and always insert a blank sheet to prevent any ink going on to the page below.

Be careful with your choice of paper too. Some papers are very absorbent and will dry the ink up really quickly, it is difficult to achieve even colour on papers like that. Others keep the ink wet for a very long time and this can cause the colour to spread so you end up with colour outside the lines. When you print a colouring page or draw your own images you can use a specific marker pad or a decent paper. (I used a 140gsm medium texture cartridge paper for this tutorial, though as you can see I did get a little ink spread from not being careful enough on one of the flowers.)

 

Downloadable Colouring Pages

Grownups colour tooGrown up (or adult) colouring is a wonderful way to relax, remember how quiet the kids are when they are colouring? well try it yourself and it really does zone you out.
There are many colouring books available but there are also a wealth of free colouring pages some offered by book authors and some just created by artists because they can. There are also loads of indie artists that sell individual pages online.

With all downloadable content please respect the artists rights, credit the artist when you show off your colours so others can find them too and make sure you follow the artists terms of use. I won’t link to pinterest or google images because of this, I always link to the source of the images.

If you are a colouring page artist and want to be added or you notice a broken link/closed shop then feel free to contact me to help keep this list updated.

All You

Amy Brown Art

Ann’s Doodles

Art is Fun

Art Therapy

Ben Kwok

Bergsma

Blacksummer Colouring

Black White Mustard

Bonnita Doodles

Color Binge

Color Me Club

ColourIn Designs

Colouring Life

Coloring Pages for Adult

Coloring Pages for Adults

Complicated Coloring

Crafts Beautiful (requires free site membership)

Crayola

Daisy Jane

Dawn Nicole

Don’t Eat the Paste

Doodle and Colour
(Use coupon code SCARLETT10 for 10% off)

Easy Peasy and Fun

Ellen’s Escape

Fafahe Creations

Fizzy Pink Doodle Studio

Guardian Website

Hallmark

Hattifant

Hannah Lynn

HobbyCraft Blog

Jan Bevins Art

Jenny Gollan Designs

Johanna Basford

Joanne Elliot

Kelly Dombrowski

Leen Margot

Legendary Landscapes

Lollipop Letters Cuts

Mad March Moon

Maniacal Confessions

Maria Padgett

Mauindi Arts

Ornamentium

PaperCrafter

Passion For Pencils

Pixie Rah Designs

Print Mandala

Random House Books

Red Ted Art

Selina Fenech

SliceNDyce

Slinky Tart

S Macs Place To Be

Soapberry Lane

Stabilo Blog

Studio Magda Polakow

Suiish

The Coloring Book Club

The Togetherness Project

Thiago Ultra

Tried and True

Wendy Peirsall

Yampuff