It was pretty much a year ago that I was saying I would never touch the stuff, anything is possible in soft glass, I don’t need boro.
I had to rethink that statement a few months later when a project actually did call for boro. I bought some to do the project and a little to play with. My first thoughts when it came to using it were at least positive.
This past year I know I haven’t had the studio time I have been used to and that should be taken into account but all of my soft glass never seem to work exactly as I intend them (more recently I have been better at making frit than beads.) But when I pick up the boro it flows, I feel like the glass is working with me and I have a lot more freedom when I am working. Soft glass now feels like a chore more than an artistic pleasure.
Now I will never totally give up on the soft glass, it’s nice to have the option to be able to change but I will be working with boro a lot more. I was in the studio this week just having a play and made a few little pendants just for fun and was really pleased with how they came out, the little wiggle pendant is perhaps my favourite as it was a good exercise in how the boro works differently in the flame. The heart and leaf I made in exactly the same way as I would do them in soft glass and the heart has more depth to it and the leaf has retained much more of the detail. The simplistic and most pleasing part about all these pendants for me though are the loops. I have never managed loops with consistency so I have either opted for a spacer as a loop or using special pliers to cut a hole to use as a hanging in the design.
I also had a go at making a vessel, something I rather enjoyed in soft glass but could never “beat the heat” to add much decoration to it. I never got round to adding decoration to the test piece but I got a good shape and an even wall on the first attempt so it was a success.