Revisiting Relax with Art

Back when the first issue was released I gave my thoughts on this colouring magazine from Bromleigh House. Since then 6 issues have been released as well as 3 Holiday Specials and 2 pocket editions. With a few end of year specials currently being released.

Relax with Art MagazineNow that it has been going a while the main monthly magazine makes for a great budget way to get into the world of colouring. At just £2.99 per issue the publication is a little under A4, 24 pages with a good selection of images, including patterns, objects and nature, printed single sided. The paper has a slight tooth to it so pens will soak in more than on other papers and the colour can be slightly saturated, but not enough to make a huge difference and they are great for pencils. I have a couple of issues I tend to pick these ones up when I see one with images in that I really want to colour.

The holiday specials are a little different, £5.99 and based on a theme, I didn’t plump for this one personally as the first issue was an animals one and I already had animal kingdom and another animal based book on it’s way. (plus they aren’t particularly one of my favourite colouring subjects.) Again though the publisher has wisely opted for single sided printing but this time on smoother paper. While I don’t have any of these particular issues the paper is comparable to their pocket editions.

relaxpocketI had to have one of the pocket editions, priced at £3.99 and similar in image selection to the main issue the selling point on these is the fact they are only A5 in size, making theme great for carrying around and colouring on the go. The smooth paper makes it suitable for most media, I’ve mostly used coloured pencils though as they are a bit easier to transport, though I’m considering a set of sharpies for travel colouring just to go with this magazine.

The end of year special issues are The Yearbook, Calender and 2016 Diary due for release over the coming weeks.

Choosing the right media for your colouring books

One question you see a lot and it takes many forms. Can I use markers in this book? I’m looking at these pens, do they bleed?

Firstly let me clarify there’s bleed and then there’s just show through, bleed is when the colour pigment spreads from where you place it. So if you ask does it bleed the answer might be no but it can still show through.

Alcohol Based Markers

These can bleed on a lot of papers though for most it’s not a problem as it is minimal but they will most certainly show through. The alcohol in the ink soaks into and saturates the paper which causes the colour to show up on the other side, though this is also the benefit of alcohol markers because the wetter the ink the better they blend.

Water Based Pens

These don’t stay as wet so don’t really bleed, but dependent on the paper can still show through. Different tips can make a difference here though, a brush tip doesn’t require as much pressure as a bullet/fibre tip or fine liner so tends to fair better on thinner papers.

Gel Pens

Now these are a law onto themselves, they sit on top of the paper, they don’t soak in at all but the ink is heavy so can show through on lighter weight papers. The ink will stay wet for a while and because it is on top of the paper they smudge easily, be careful to let them dry before working over them or closing a book.

Pencils

If you are thinking, I’ll just use pencils you might have to think twice as poor quality paper can mean even pencil will show through. In the case of water colour pencils it is better to consider them more like water based pens rather than pencils as adding the water will change how the paper reacts.

As a general guide single sided print is good for most media but if you use alcohol markers and it bleeds badly your pens will dry up quickly. (the paper is too absorbent though paper like this is few and far between in my experience of various books.) If you are colouring in a single sided book though always place a plain sheet of card under the page in case any colour comes through.

If the book is double sided print, never use alcohol based markers, unless you really don’t care for the image on the reverse.

There are ways of roughly gauging which pens will be all right for double sided books. If you open the book and hold up one page and don’t see the print coming through you should be fairly safe with any water based pen, gel pens or pencils.
If the print is visible like this then water based brush tips and pencils are reasonably safe, maybe light applications of gel pen.

However if you see the print on the other side with the page flat in the book it’s pencils only (or return it because it’s pretty low quality paper if you can see the print like this.)

Finally if the paper has a heavy texture (a lot of tooth) it’s designed more for pencils, smoother paper will take pens better.

More Colouring Challenges

If you enjoyed the previous 10 challenges here are another 10 inspirational ways to fill the pages in your colouring books differently.

Don’t forget to attempt each challenge separately, even if some cross over. Of course there is nothing stopping you later combining different challenges to come up with something new and even more inventive.

Focal Points

This one is especially good for those daunting pages. Pick three or four areas that you like the best and with a black drawing pen add a square around them.
Colour the squares as normal then colour the rest of the page in grey or sepia.

Use Lines

Free hand or if you feel the need to use a ruler. Colour the entire picture using lines, you can hatch the lines or only have them go part way across a section to give the impression of shade.

Colour The Background

It’s something that tends to get left a lot of the time, though there are many creative ways you can colour a background, you aren’t restricted to using the same media as you used for the main image.

Go Neon

Grab some highlighters or neon pens and colour the whole picture in neon colours. It’s loud but it’s fun.

50 Shades

Well maybe not 50 and you aren’t restricted to grey but choose a colour (yellow, green, red, purple, whatever takes your fancy) and find all your pens and pencils of that colour. Use these to complete your picture.

Make Your Mark

Add to the image in some way some books promote this activity by offering suggestions of how you can add to a page, draw a few doodles, if you aren’t comfortable drawing try using rubber stamps. You could even use scrap booking items to stick in.

Three Colours

Choose three colours that either compliment or clash with each other and use them for the entire picture.

Go Outside The Lines

The one thing we are conditioned to try and do as children is stay in the lines while colouring, stop thinking like that and find a way to expand the colouring beyond the lines. Light applications of colour can give a halo effect to the image.

Do It Again

Pick something you did early on in your colouring adventures and attempt it again some months later. You will see the difference in your colouring style and how you have improved over time.

Make A Silhouette

Some pictures will lend themselves to this and some really won’t work so choose your image carefully but colour the entire image in flat black to turn it into a silhouette.

Colouring Challenges

Sometimes it’s hard to find inspiration for your colouring pages. We can get stuck in a rut always choosing our favourite colours or working in a particular way.

So here’s a list of 10 challenges that you can try, do them all separately even though some may work for a few challenges.

I’ve written these because personally I can get rather uptight about my colouring books and before I get too far into any of them I really need to break the fussiness of each book must be done in a certain way.

I thought that I had to colour all my Johanna Basford books using my Inktense pencils, my Millie Marotta with the Stabilo pens and I had Zen Colouring for my Promarkers. I also really enjoy colouring with shading and blending, but forgot that flat colour can be just as enjoyable.

Is there anything you struggle to do when colouring?

Have fun and enjoy colouring for more than just that one way of doing things.

Use One Colour

This works best with coloured pencils as you can apply different amounts of pressure with the pencil to vary the tone. This will also help you refine the skills in other projects because you have to think more about the amount of pressure you are using.

No Green Leaves

We all do it, when we see leaves out come the green pencils. Break the monotony by choosing different colours for your leaves, if you find it hard to break realistic colours go for an autumnal colour pallet first then progress on to things like purples, links and blues.

Colour With Dots

This one will take a while and is probably best attempted with fineliners or something with a good point, but instead of just filling an area with solid colour fill it with lots of dots.

Use A Colour You Hate

Got a colour that you always avoid using, get it down on the paper as the main colour for that page.

Don’t Look

Obviously look at what you are colouring but don’t look at the pen or pencil you are choosing. If you have a really organised colour collection use a random number generator and count from the beginning of the box. This will break colour habits and can give you some really amazing results.

Tip: If you aren’t quite ready to attempt challenges in your favourite books use downloadable pages or get a colouring magazine like relax with art to try out challenges.

Split It Up

Draw a couple of straight lines on the page to break up the image, colour each section differently.

Rainbows

Red, orange, yellow, green blue, indigo, violet. Use the colours of the rainbow, either in order or not, to complete your picture.

Mix Your Media

Using different media can highlight certain parts of the image break habits by working with mixed media in one image.

Back To Your Childhood

Colour with kids crayons, something just for fun if you really don’t feel like anything else.

Leave Some White

You don’t colour the whole picture, choose areas to leave as white use the paper as a point to fade out to rather than an actual colour. In some colouring pages just the line art as the background can look fantastic or try it with something from the foreground.

 

 

Colouring Therapy Art Book

With no other editions this colouring magazine from Magbook is a bit different from the other magazines. Magbook release individual bookazines on popular topics. This one is also available on Amazon. Priced at £5.99 it’s a little more expensive than I thought it would be, compared to other magazines on the market.

There are 56 Images to colour in this double sided print edition, the publication is split into 5 “chapters” Animal Kingdom, Patterns, Spiritual, Nature and Art Inspired though there are only 3 images in the art inspired chapter and the nature chapter is mostly things that could have easily gone into other sections the splits seem kind of redundant.

At the start of each chapter 3/4 of a page is taken up by a single paragraph of text and the final 1/4 has part of the double spread image, it seems that most of the images would have been fine on just a single page, some of the actual double page spreads are like this too, only taking up half of each page but split across a double.

The artwork is a bit of a mix, there are a few highly detailed images but a lot are really thick lines so not great for more advanced colourists, the paper is also quite thin you can see the print from the image on the other side on practically all the pages.

Onto Colouring

Knowing there wasn’t any chance of using alcohol markers as it was double sided I tested my stabilo 68’s on the tiny image from the front page. Even though I am light handed with my colouring the colour is obvious on the opposite side of the page.

Even gel pens where the ink doesn’t soak into the paper, so don’t bleed, showed through on the opposite side.  So I switched to coloured pencils, which are about the only media you can really use on this paper but you can tell on the opposite side areas that have been filled with pencil, especially darker colours, even though you don’t see the colours coming through.

In Conclusion

I would say this one isn’t particularly worth the money. While there are a variety of designs that would be good for anyone that wasn’t sure what style they like to colour the thin pages really let this down because you will see the design on the reverse side.

All right if you only want to use pencil and want the variety of designs this publication has to offer, but it is not one I would recommend.

colouring therapy by magbook

chapter start in colouring therapy

colouring in colour therapy

 

Creative Colour

A colouring magazine from puzzler.com. I didn’t get this one when it first came out but I did snap it up before the release of issue 2 at the end of May. Now we are at the end of June and issue 3 is in the shops.

I left this one untouched for quite a while but one evening as the boys were watching the Avengers I sat myself in the corner under the floor lamp and decided it was time to make a start.

This is another single side print magazine with 24 images to colour and staple bound. Paper quality seems good and the artwork is a mix of single images, full page patterns and contained images, ranging from fine detail to larger areas making it good for any level of colourist. The cover price is 2.99 and is published monthly.

Onto Colouring

I’m back with my Stabilo pen 68’s and the paper is all right, the colour goes on reasonably smoothly although it does show through on the other side it is single sided so that isn’t a problem.

The first one I completed was the bird, it was my favourite image in the whole magazine. I used a combination of flat colour and a bit of shading. As well as the pen 68’s I also used some of my point 88’s to work on the more detailed areas. It was a really enjoyable image to colour though.

I also had a go on the inside cover with the stabilo pens, the little flower was a great, quick to colour piece. After colouring that though which is a smoother card rather than the paper I was wishing the whole book was printed on that.

I also had a go at a page with my inktense pencils, I did this one using a blender pencil to smooth the colour rather than using water. This came out beautifully I certainly got better coverage with the pencils than the pens.

With Promarkers the coverage can be slightly patchy as the ink dries quickly on the paper, though as I got more used to how the ink was behaving on the paper reducing the size of the circles I coloured in allowed me to get a more even colour.

In Conclusion

A reasonable magazine, the range contained in it does make it suitable for anyone though I haven’t bought issue 2 or the recently released issue 3. With such a large selection of magazines available now and considering my collection already I did find a lot of the images to be rather similar and I personally preferred the selection in the later issues of relax with art.

If you are a new colourist though take a look at this magazine along side the others because you might find the artwork more to your tastes and without having earlier magazines there won’t be similarities like I experienced. You can also use any media to colour but make sure you add a sheet of card under the page you are colouring if you intend to use pens and keep your strokes shorter than normal to reduce patchy coverage.

 

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Relaxing Patterns and Mandala Designs

relaxing patterns and mandala designs by lilt kidsI was sent this book from Lilt Kids to review. All I had seen was the cover and I eagerly awaited the delivery coming over from America.

Lilt kids are an independent publisher, something that I thought was good to see, no major cooperation. All their colouring books are quite cheap (£2 to £4)

Here’s a quote from their website

THANKS FOR STOPPING BY..

and supporting a small, independent business like Lilt Kids Coloring Books. All our coloring books are made right here in the USA by talented artists and printed on the highest quality paper with beautiful, bright covers. Should you ever have any kind of problem with an order or just a question for us, we have great customer service: just email

Sounds very exciting doesn’t it…

the internal cover of relaxing patterns and mandala designsThen the book arrived

Truthfully I was disappointed. Firstly The cover of this book appealed to me the most out of the small selection I was shown to choose from, after looking at their site with the book in my hand I see three other books at least with the same cover, just different titles. The one thing I had to go on to choose a book and it wasn’t unique, nor was it anywhere in the book. The Amazon page also said that there were 40 pages in the book, there were only 22 design pages, 24 if you count the small images in the title page and the back page. Yes it’s over 40 pages if you count the blank back side of every design but I think that’s stretching things a little.

showing the quality of the line work within the bookThe Artwork

Something else that didn’t meet my expectation. It is just my opinion but I don’t expect thick lines in an adult colouring book, the thinnest lines are at least 1mm thick. Now this could be seen as a benefit for those using art therapy who have motor function problems so I’m not going to rule things out just because the line thickness isn’t to my liking.

Looking at the images again on most of them the lines aren’t smooth, and there are areas, on the mandalas especially, where you can tell images have been joined together to create the design.

So, I’m disappointed again.

The Paper

It’s about 100gsm and very lightly textured. Nothing like any of the other colouring books I own . It’s somewhere in between the paper from Zen Colouring and Relax with Art so maybe it wouldn’t be that bad to colour on.

The book is printed single sided though so at least any media goes.

stabilo colour testOnto Colouring

I tried three different media in this book. Firstly Stabilo Pen 68, my all rounder pens because there aren’t many books out there there these can’t be used in. I chose to do the first page and went with a pallet of yellows, oranges and reds. They worked rather well.

The first image took me less than an hour to colour. I didn’t really get the satisfaction from the colouring that I would on pages I spend hours or even days on, but it was nice to do something a bit quicker.

promarkers colour testOnto the second and I went with my promarkers and a purple/blue combination, while it was possible to colour with them on the paper (sheet of card under the page required) it did seem to really suck the ink in. This is where I was perhaps thankful the lines in the artwork were quite thick as the colour really did spread (even with the thick lines though the first bit of colour I added did go over.) The other thing I noticed was that the colours became rather muted, the usual vibrancy of the colours was dulled and that was a little disheartening as the final image didn’t end up as I had planned it.

example of using inktense in the bookI spent about an hour and a half on that one.

Finally I got my inktense pencils out and went with reds and greens as you can see I didn’t finish this one, the coloured pencil didn’t really go well on the page and while the water wash looked good to begin with, once it dried though it looked awful and I had a rather wrinkly page.

I didn’t want to finish it, and this is the only time I have ever left an image unfinished.

A Second Opinion

I decided to get a second opinion on the book, I showed it to my 8 year old son. He did think it looked “pretty cool.” So now the book is his, though he hasn’t actually done any colouring yet.

In Conclusion

Pretty disappointing if you are a more advanced colourist, though I will give credit that these might be a good, inexpensive, introduction to colouring for anyone that wants to embark on art therapy but is either daunted by the detail of some books or needs the thicker lines to compensate for motor function problems. They are probably better for children wanting different types of designs.

A children’s book billed for adults.

If the book does interest you though I would say you would be better off using water based pens over any other media as they do give the best colour results.

Did I just get very unlucky with my choice of book, has anyone else tried books from this publisher?

Colouring with Stabilo’s – Shading

Once you are ready to embark on shading the Stabilo 68’s and 88’s are probably one of the simplest to learn with, there is no blending with these so don’t expect smooth transitions every time, some colours do work better than others but you will always have a darker shaded area which allows you to add that extra level of depth to your colouring.

If you haven’t read it yet I suggest reading the flat colour guide to see how I work with these pens.

Onto Colouring

Greys can be your best friend with shading, because they will work with any colour. Don’t reach for the grey that is a darker tone to the main colour though as it will end up appearing too dark. Choose a grey that is a shade lighter than you think you need. With colours though you will be using one shade darker.

When it comes to shading I do a lot of the work with the finer point 88 pens as it is easier to graduate the colour by fanning out the lines drawn the closer I get to the light source. It is achievable with the pen 68 but you will get a denser colour.

These are the colours I am working with:

  • Light green 68/33 or 88/33
  • Green 68/36 or 88/36
  • Yellow 68/44 or 88/44
  • Orange 68/54 or 88/54
  • Lilac 68/58 or 88/58
  • Purple 68/55 or 88/55
    and
  • Grey 68/96 or 88/96

I am starting with the grass again, I will be colouring this in exactly the same main colours as I did for the flat colour guide. Decide where you want shade to appear. For the grass I have opted for light shading on the blade that appears to be behind in the image and have added a “centre line” in the front blade to show the “fold” you see in grass.

You can then go over the grey with the main colour. If the paper saturates easily or is prone to loosing fibres wait until the grey has dried.

Again with the grey I have added shade to the top of the stem quite heavily as the shadow cast by the flower would be denser there. A little shading between the grass and shading that fans out on the leaf working from the stem.

Go over all the shading with the main colour (in this case light green) I realised at this point that the grey was perhaps to dark for the light green but hopefully it shows you what I mean about going a shade lighter than you think you need with greys. As the grey I am using was the lightest I had at the time it was all I could work with though there is a grey one step lighter in the range.

Next I add a little orange alongside one edge of the centre of the flower.

Colour over that with yellow. I didn’t wait for it to dry here and as you can see a little blending has occurred with this combination though it is not something I would rely on happening.

Next I use the purple and add some quick lines into one of the petals at the front of the flower, this will keep the shading fairly light as I don’t want it too dark and the lines created by the point 88 are perfect for this. Follow the lines within the drawing as if you were just adding a few more.

Do the same on the other three front petals.

Once the shading has been added and dried using the lilac in the pen 68 colour all of the front petals. I have found the combination of purple and lilac to work rather well.

You can then start on the back petals.

With the purple again but this time filling the area you want shaded (the point where it meets the front petals) with a denser bit of colouring, for this you can either use the point 88 or pen 68, though I continued to use the point 88 and used obvious lines that were just a lot closer together.

I then coloured the petal I had shaded.

Continue to add the shading on the remaining three petals.

Then,  when dry, go back to the lilac and colour the other back petals.

Finished you will have an image, with the extra depth shading provides. I use this technique in my animal kingdom book as well as on some free printables.

Experiment with different colours to find which ones work best together or give the effect you are after. Some combinations will appear seamless while others will be noticeably darker, some of course won’t work, even if you think they should.

Let me know how you get on shading with your Stabilo’s or other fineliners/fibre tips in the comments below, or show me your coloured images here, on facebook, @scarletleonard on twitter or @scarletimpressions on instagram.

Happy colouring!

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Colouring with Stabilo’s – Flat Colour

Stabilo pen 68 and 88 are a great mid range set of pens. The 68’s are described as a colour-intensive, premium fibre-tip pen there are 40 colours and 6 fluorescents, giving a great range of colour. The 88’s are a 0.4mm fineliner and boasts a range of 25 colours plus 5 fluorescents. The colours match up to so if you have the same colour in both pens they are the same colour on the paper making them brilliant for when you need to get into fine detail areas as well as larger area coverage.

Onto Colouring

wpid-wp-1431694616220.jpegGoing over the same area multiple will cause over saturation of the paper. I keep my way of working to sections but I use light stroke lines rather than circular colouring to prevent saturating the paper.

I have chosen 4 colours for the piece;

  • Light green 68/33 or 88/33
  • Green 68/36 or 88/36
  • Orange 68/54 or 88/54
    and
  • Lilac 68/58 or 88/58

As there are no really small detail in this image I haven’t used the pen 88 fineliners and just worked with the fibre tip pen 68.

Fast downward strokes fill in the grass with green.

The centre of the flower is filled with orange simply by following the line of the circle then using smaller circles towards the centre.

The stem and leaf are filled with light green by going down the full length of the stem then the edge of the leaf before using lines to fill the remaining area inside the leaf I follow the shape of the leaf as I do the fill lines.

Finally each of the petals are coloured using the same method as for the leaf.

wpid-wp-1431694651568.jpegI don’t get bleed with these pens following this method though you will sometimes see a ghost of the image on the reverse side of the paper, while it is visible it isn’t invasive, in a double sided print book once the opposite side was coloured it wouldn’t be noticeable at all.
However if you go over the same area to much and saturate the paper there will be bleed through, you can avoid this by allowing the ink already on the paper to fully dry before adding more (like when you notice a small area that didn’t get colour.)

There is more ink flowing to the paper from the pen 68’s the pen 88’s are less likely to show through but this depends on the area you are colouring as if you choose to do a larger area with the fineliner nib you risk overlapping colour more.

The good news is other than bleed through overlapping colour while wet or dry doesn’t result in variation of colour. This is great for really large areas as you can stop and resume colouring later without having to worry about the ink drying.

Using a textured paper with these pens can result in patchy colouring and of course absorbent papers will certainly end up bleeding through. As always make sure you select a decent quality paper. This piece was coloured on 135gsm smooth sketch book paper and works well with these pens.

Zen Colouring – Advanced Art Therapy

zen colouring publication coverI frequent a few colouring groups on facebook and this new magazine came up. A bi-monthly publication from the GMC Group (A company that produces many well known titles.) entitled Zen Colouring Advanced Art Therapy the first issue is Flowers and has a cover price of £5.99.

The publication has 48 pages and they are all gorgeous floral pictures to colour. The paper is a decent quality and all the pages are single sided so there’s no worry if you like markers of them bleeding through onto the other side and ruining a picture. About half of the pages do have a small corner detail on the reverse but they are no loss if you use markers and if you use pencils they are a great place to practice how you want to colour the main detail of the page.

zen colouring art therapy book, inside coverOpening it up and on the inside cover there are some lovely detail images showing possible ways you could colour, then all the way through to the back it’s all colouring for you. No part coloured pages (becoming a pet hate with a few colourists after getting books to find some colours printed in.) The inside of the back cover has a few more detail examples and all the publication details as well as information on the next release date.

Onto the Colouring

It’s no secret now that promarkers are my weapon of choice when it comes to colouring.  As I am pretty sure they will bleed through and I don’t want to cut the images out I will use a sheet inserted under the page I am colouring to absorb any colour and protect the page below.

I will be starting with the first page as it is very pretty. I like the style, how it doesn’t take up the whole page, it has a lovely quote and a mixture of different things to colour all in one image.

Putting the first bits of colour down and I am very impressed with the paper, a lot of the time, when using promarkers, when the paper absorbs the ink it spreads, not just the bleed through to the back but also on the top. There is virtually no spread of the colour. This does mean that the ink is drying pretty fast on contact with the paper which would be slightly problematic for blending purposes but as most parts are small details that can easily be broken down into various sections it shouldn’t become too much of an issue to blend colours.

colouring a page in the zen colouring, colouring bookChecking the extra sheet I slotted in to “catch” any colour that wanted to go onto my next page and there is some ink on it but not huge amounts. Even the reverse side of the paper looks pretty neat because of the lack of spread.

After getting over the need to check everything was all right and I was sure that with that sheet of card under the page I really set to with the colouring. Four hours later I was informed it was 11pm! I guess I really did zen out, I was only just half way through the picture.

finished first page from zen colouring art threapy magazineI wasn’t calling it a night there though. I was enjoying this, a lot. Two hours later, I was nearly finished. One little voice was saying; “Come on, so close, just that little bit left.” However there was a much louder voice now saying; “It’s 1am! If you carry on you will make a mistake, go to bed woman.”

So I did and I laid in bed thinking about what blends I would use to finish it off…

In the morning armed with a few ideas I did some tests on a separate sheet and an hour or so later the page was finished. I was really happy with the final result as I don’t usually colour in books because of paper quality issues it was fantastic to see what a difference it makes keeping a sheet in the book. It felt like my colouring was in print!

Overall

Yes, the publishers have done their homework. They have produced a lovely magazine/book that is suitable for colouring in most mediums thanks to a good choice of paper. So far all they could do to make it perfect for some, is to make the pages perforated so they could easily be removed from the binding for easier colouring as when you get further through the book it can become difficult to keep the page you are working on flat. But I will find a way because I love how it looks in the book.

It’s not a picture every day for the whole two months but they are going to take longer than a day to complete. This will easily last you until the next edition and you will have things still left to colour in this once issue two is in your hands.

If you were on the fence about this one I urge you to go out and get it, unless of course flowers aren’t your thing which is perhaps another good point to this magazine, if you don’t like the subject there is always the next one.

The next issue is due out on 2nd June and is themed around animals.

Final Note

That little flower on the back of the page? I took the coloured pencils to that. While I couldn’t cover any of the colour that had come through from the markers there wasn’t a whole lot of colour in that area but it was a great just to play with the pencils as they aren’t something I use very often. I might have to test fine liners on the paper for bleed because if they don’t bleed through they might be a great way to cover the bleed and have a lovely little flower coloured in.